![]() Therefore, compared to software like Photomatix Pro, you’ll have a completely different workflow. The software is built to function as a plugin within your choice of photo editing application in other words, HDR Efex is not a standalone program. Nik has always produced fantastic filters and presets for Photoshop, and now they have a great program for high dynamic range merging: HDR Efex. Lacking comprehensive post-processing tools Once you are done merging your photos, Luminar NEO gives you plenty of further editing options like sky replacement, crop AI, Portrait Bokeh AI, and one-click presets. It’s sleek, responsive, intuitive, and perfect for beginners. HDR Merge features an excellent interface. Of course, the result will not be as good as when merging multiple over/underexposed images. If you just have one photo, you can adjust the dynamic range from a single exposure. You can merge up to 10 photos of different exposure. In case there are no moving subjects, but your photos are not all 100% aligned (due to handheld shots), the function “auto-align” will do the magic. There are a number of options available, like “ghost reduction”, which lets you merge moving subjects, e.g. Aurora HDR is now HDR Merge (a plugin inside Luminar Neo) In fact, some photographers – such as the well-known Serge Ramelli – claim that it’s the best HDR software on the planet. Rather than try to rescue the noisy tree, I chopped it down: some cropping and a minor Levels adjustment in Photoshop yields the final image.You need to buy Skylum Neo to use HDR Merge If your original shots don’t encompass a wide enough exposure range, an HDR image can be prone to noise, which you can see in the tree in the left half of the shot. To adapt an HDR image for display and printing, you use Photomatix Pro’s tone-mapping window, which modifies each pixel so that highlights and shadows display and print properly. Here, the window is displaying grass detail at the location of the arrow pointer. You can use Photomatix Pro’s HDR Viewer window to assess how much detail appears in various parts of the scene. A computer display can’t accurately render an HDR image, however, so your combined exposure will have a disappointingly contrasty look. An HDR image is comprised of several shots taken at different exposures. Photoshop’s tone-mapping features often yield images that lack contrast and punch. In my tests, though, Photomatix Pro provided more control and more pleasing results than did Photoshop CS2. If you’ve used the HDR features in Adobe Photoshop CS2, these steps will seem familiar. In general, you’ll get the most control if you combine your source images into a high-dynamic range (HDR) image, then apply Photomatix Pro’s tone-mapping features to convert the HDR image into an 8- or 16-bit image (see screen shots). You have several options for combining images. Once you’ve shot your source images, open them in Photomatix Pro and go to work. For example, if you shoot on a windy day, water, tree branches, and fast-moving clouds are likely to appear blurry in the final image, since they will have moved between each shot. Your choice of scene can also affect your results. If your camera has an exposure bracketing feature and a fast burst mode, you can hand-hold your shots and then use Photomatix Pro’s image-alignment option, which does a good job of registering multiple images. Generally, you’ll get the best results by using either Raw format or 16-bit TIFF images, since these formats retain the most pixel data.īecause Photomatix Pro lets you combine multiple exposures into a single image, you’ll get the best results by mounting your camera on a tripod during your shoot. In its batch-processing mode, it can also process Raw format images. Photomatix Pro can open common image formats, including JPEG, TIFF, PSD, and PNG. By taking between two and four shots at a wide range of exposures, you ensure that you capture details in shadows and highlights alike. Multiple choiceĬreating an image with Photomatix Pro usually involves combining several shots of the same scene, each taken with a different exposure setting. ![]() ![]() The steps aren’t always straightforward-and they’re complicated by the software’s funky design and scattered documentation-but if you can work through the complexities, the results can be stunning. You can use Photomatix Pro to gently coax details out of dark shadows and bright highlights, or to create surreal scenes whose vivid colors and extreme contrast bear little resemblance to the real world. MultimediaPhoto’s Photomatix Pro 2.2.3 gives digital photographers several tools for getting the highest possible dynamic range out of a scene. ![]()
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